观看英文原声电影 要求：写一篇英文观后感，字数不低于200字。
《肖申克的救赎》
Today i saw a very shocking film ((Shawshank Redemption)), andy deeply by the strong conviction in the face of the cruel reality of the spirit is still harbor dreams, as well as superhuman intelligence and wisdom. Reid liked monologue of that sentence: "I had to remind myself that some birds can not be locked up in cages, and their feathers are too beautiful, and when they fly away, you will find them locked up is an appreciation evil. "Yes, that is andy. Sometimes reality is so cruel, bankers andy being wronged killed his wife and his lover. Had been tortured physically and mentally，Prison others were harassed and beaten, and even more painful in the wall's mental torture, as well as the tom know know the truth about the case can not reverse the verdict. But he is still so full of hope. . . . Workers in their fight for the beer, but also an opportunity to fight for their own ---- close to the governor to help him money. The last 20 years through the efforts of the hands of Reid with a buy from a small hammer to dig out of a prison outside the channel. So that it can not think of one. I think magic is more the spirit of andy appeal, he can always practice, he is encouraged by the people around, even for the time being that the spirit of freedom,As he put in the governor's Office of the plate to the music people listen to the same prison, and later released from prison so that the re-Reid to find a life of hope. . . There are even more amazing is the creative director ----- has escaped through a story has brought us so much inspiration and shock.
求电影 《电子情书》 英文观后感
Love conquers all between two bad-for-each-other individuals in the predictably saccharine but tolerably entertaining romantic comedy "You've Got Mail" that reunites writer & director Nora Ephron with her "Sleepless in Seattle" co-stars Tom Hanks and Meg Ryan as rival booksellers in the Big Apple who woo each other anonymously via the Internet when they aren't at war with each other in the real world. Sappy cinemaphiles who rhapsodized about "Sleepless in Seattle" inevitably will applaud Ephron's simple but charismatic recoupling of Ryan and Hanks. Discriminating audiences, on the other hand, may reject "Mail" for being manipulatively cute, slowly-paced, and thinly plotted fodder.
Ostensibly, Ephron's frivolous but disposable soaper updates director Ernest Lubitsch's "The Shop around the Corner." In that venerable but uneven 1940 comedy, James Stewart and Margaret Sullivan portrayed two clashing curio store clerks who exchange anonymous but endearing letters. Incidentally, not only did Miklos Laszlo's play "Parfumerie" serve as the basis for the Lubitsch comedy, but it also inspired director Robert Z. Leonard's 1949 musical "In the Good Old Summertime" that mated Judy Garland with Van Johnson.
Just for the record, "The Shop around the Corner" ranks as no great shakes itself. Maudlin and claustrophobic, with a subplot featuring infidelity and suicide, the Lubitsch comedy is still rather depressing for a film produced during the Golden Age of Hollywood. "Michael" director Nora Ephron and sister Delia Ephron have adapted Samson Raphaelson's "Shop" screenplay, preserving its better parts and contriving a few twists of their own. In their warm and fuzzy remake, the Ephrons have changed the setting from pre-World War II Budapest to contemporary New York City. Not surprisingly, because Nora Ephron lives on the Upper West Side, "You've Got Mail" makes Manhattan look like the better side of the rainbow. The sisters Ephron have expanded the scope of the action, too, so that the principals no longer toil under the same roof with the same tyrannical boss.
As Joe Fox, Tom Hanks of "Forrest Gump" plays the son of a wealthy family that owns Fox Books, a conglomerate book store a la Barnes & Noble which swallows smaller stores. Although Joe epitomizes capitalism at its most ruthless extreme, the filmmakers go to great lengths to take the sting out of his villainy. Not only do they show him taking his father's children by a second wife out to play, but they also saddle Joe with a shaggy Irish setter. Can anybody say "Turner and Hooch?" Conversely, as Kathleen Kelly, Ryan runs a quaint little children's bookstore named The Shop Around the Corner that her mother left her. Perky as always with her hair fashionably disheveled, Ryan appears hopelessly adorable in whatever she dons, whether pajamas or pants suit. Essentially, Hanks and Ryan are the whole show, and their cinematic chemistry has not dimmed an iota since their initial coupling in the abysmal 1990 epic "Joe Versus the Volcano." "You've Got Mail" marks the third time that they have teamed up.
The conflict is pretty basic. Opening its newest superstore a block away, Fox Books poses a dire threat to Kathleen's livelihood as a longtime neighborhood staple. Unlike "Sleepless in Seattle," where the Ryan and Hanks' characters eventually met at the end of the movie, "You've Got Mail" has their paths criss-crossing from the outset. The premise is that Kathleen and Joe meet in an-over-30 chat room at America-On-Line and have kindled a cozy e-mail relationship under the aliases of 'Shopgirl' and 'NY152.' Agreeing not to divulge any personal details, they have maintained a strictly platonic relationship. Nevertheless, they're so infatuated that they cannot wait for their live-in lovers to leave (they're singles) for work each day so that they can check their e-mail. Actually, Joe and Kathleen live only a few blocks apart, and Ephron shows early on how easily it is for these New Yorkers to walk the same streets without colliding. Joe is shacking up with a neurotic, caffeine-addicted book editor, Patricia Eden (indie movie queen Parker Posey), while Kathleen shares the same bed with a pretentious, bespectacled newspaper columnist, Frank Navasky (Greg Kinnear of "As Good As It Gets." Eventually, Joe and Kathleen run afoul of each other at a publisher's party where she learns about Joe's notoriety. Dislike turns to hate when Fox Books lures Kathleen's customers away with its discounted books, cappuccino bar, and chairs to relax in and read. Faced with competition that will likely sink her small business, 'Shopgirl' seeks advice from 'NY152.' He suggests that she go to war. Rationalizing everything in terms of the movie "The Godfather," he refers to the mafia epic as "the sum of all wisdom" and charts his life by it. Meanwhile, she interprets life through the pages of Jane Austin's classic weepie "Pride and Prejudice." Despite the widespread protest that she generates in the media, Kathleen cannot compete with Fox, and she locks her doors after 42 years of business. Indeed, hostile takeovers of this kind raise few eyebrows in today's rabid business climate, but jarring realism of this sort seems distinctly out of place in an otherwise fluffy love story.
Although "You've Got Mail" is a tale perfectly suited for today's technology, several obvious consequences have been overlooked. Never mind that "Mail" depicts women as passive and inexorably overwhelmed, makes breaking up appear like a picnic, and condones Republican style capitalism where big company gobble up small stores without a moral hiccup. Presumably, the sisters Ephron figured that audiences will dismiss these uneasy questions without a thought as they purr over the on-screen chemistry between Ryan and Hanks. Formulaic, flighty, flirtatious, and feel-good-all-around, "You've Got Mail" emerges also as a shameless infomercial for AOL, Macintosh computers, and Starbucks Coffee. However, another rather unsettling question lurks in the background. What if that significant other who shares this cinematic experience with you is cavorting on-line with somebody else?
求一篇600字的影评或书评~
电影《一个和八个》
张军钊导演的《一个和八个》取材于郭小川的长诗，讲述在严酷的战争环境中，一位八路军指导员因叛徒诬陷蒙受冤屈，与八个罪犯关在一起，随时可能被处死。但他不考虑个人生死，继续宣传抗日救国，使大多数罪犯转变，最后投身于抗日洪流之中。
编导的独特性首先表现在题材处理上，他将八名罪犯从陪衬地位推到主角地位，着力进行群象刻画。战争在影片中是一种背景，突出的是战争环境中的人，他们的心灵的撞击和关系的演变。在拍摄上，有意造成画面不平衡，从而构成一种内在的紧张感，常用大反差的光线和黑白对比的版画式色彩，以表现人物雕塑般的力度与沉重感。
《一个和八个》通常被认为打响了“第五代电影”的第一枪。它的出现宣告了对传统电影价值观念、美学追求的反叛与背离。这是一部在当时来讲具有新的造型意识和强烈表现力的电影。甚至有人认为，新时期最先和最有冲击力的突破始于电影造型。影片造型意识的革新，实际是对传统的电影造型观念、思维模式的一种反叛。第五代出现以前的几年间，电影创作既受巴赞的“现实主义的渐进线”观念的影响，又未摆脱“影戏”的程式意识，往往注重的是情节结构和人物关系的编织，电影的视听结构则降低为自然状态的描述，对于电影本体和银幕造型作用的认识不足，导致电影作品形式感的丧失。《一个和八个》的出现，不啻一次颠覆性的美学观念巨变，影片在电影造型语言的使用上发挥了超乎寻常的表现力，在总体印象完整的把握下，大胆运用画面的不完整构图，造成强烈的视觉冲击。那些有时残缺，有时压迫的视觉结构，把囚犯曾经犯下的恶行、心灵的扭曲以及人格瞬间觉醒的张力表露无遗。影片中出现的环境多半是狭窄的、堵塞的、压抑的，如碾房、空房、地窖等狭小的空间。影片的摄影注意使用版画式的黑、白对比来表现雕塑般的凝重与力度。全片的色彩基调主要突出“黑、白”二字，力求用最简单的色彩要素将画面表现得更完善、更丰富、更有冲击力。
《一个和八个》公映三年之后，广西电影制片厂组织有关人员，用了半年多时间，按照原来的构思重新剪辑制作了原片拷贝。把它作为新时期探索电影的先声，加以保存。应该指出的是，影片中所创造的压抑、沉闷、严峻的氛围完全符合作者所着意渲染的主观意念和情绪，尽管以今天的电影审美趣味来看，其间有失之偏激之处。肖风也认为，《一个和八个》不是很成熟，过分强调了令人震惊的总体效果，缺乏细腻的把握。但必须承认的是，影片从主题的确立，到导演处理、声画造型、表演意识等各个方面，都进行的大胆的创新尝试，这使它有理由在新中国电影史的维度上占据一席开拓者的位置。它出品前后所经受的种种曲折，更值得人们记取。
《老人与海》书评
老人与海》塑造了一个经典的硬汉形象。古巴的一个名叫桑提亚哥的老渔夫，独自一个人出海打鱼，在一无所获的84天之后钓到了一条无比巨大的马林鱼。这是老人从来没见过也没听说过的比他的船还长两英尺的一条大鱼。鱼大劲也大，拖着小船漂流了整整两天两夜，老人在这两天两夜中经历了从未经受的艰难考验，终于把大鱼刺死，拴在船头。然而这时却遇上了鲨鱼，老人与鲨鱼进行了殊死搏斗，结果大马林鱼还是被鲨鱼吃光了，老人最后拖回家的只剩下一副光秃秃的鱼骨架。
海明威为什么没有让老人最终胜利呢? 用小说中老人的话来说：“一个人并不是生来就要被打败的”，“人尽可以被毁灭，但却不能被打败。”这就是《老人与海》想揭示的哲理。无可否认，只要是人就都会有缺陷。当一个人承认了这个缺陷并努力去战胜它而不是去屈从它的时候，无论他能否最终战胜自身的这个缺陷，他都是一个胜利者，因为他已经战胜了自己对缺陷的妥协，他是自己勇气和信心的胜利者。老渔夫就是敢于挑战自身缺陷及自己勇气和信心的胜利者。从世俗胜利观的角度看，老渔夫不是最后的胜利者，因为尽管开始他战胜了大马林鱼，但是最终大马林鱼还是让鲨鱼吃了，他只是带着大马林鱼的白骨架子回到了岸上，也就是说，鲨鱼才是胜利者。可是，在理想主义者眼里，老渔夫就是胜利者，因为他始终没有向大海没有向大马林鱼更没有向鲨鱼妥协和投降。就如音乐大师贝多芬所说“我可以被摧毁，但我不能被征服”。
人性是强悍的，人类本身有自己的限度，但正是因为有了老渔夫这样的人一次又一次地向限度挑战，超越它们，这个限度才一次次扩大，一次次把更大的挑战摆在了人类面前。在这个意义上，老渔夫桑地亚哥这样的英雄，不管他们挑战限度是成功还是失败，都是值得我们永远敬重的。
因为，他带给我们的是人类最为高贵的自信！